Rain is probably the best short story written by Somerset Maugham – in its length and characterization it is more like a novella but of course it conforms to Maugham’s formula for a story – it has a beginning, a middle and an end.
Embed from Getty Images
The story’s popularity has sustained over the years as it has been made into movies and plays. Sadie’s role of a prostitute out to have a good time has been portrayed on-screen by Joan Crawford, Gloria Swanson and Rita Hayworth. The short story has often been selected for anthologies and is prescribed reading material for students attempting to master modern English literature.
The adventure begins off on simple terms. A ship headed to Apia is stranded near Pago Pago as a Cholera epidemic is suspected and a quarantine enforced to prevent an outbreak. Most of the travellers are ordinary folks headed on business and personal trips.
Continue reading “Somerset Maugham’s Rain”
The thriller saw a low-key release sans any major promotions hoopla and the box office revenues may have just made enough profit to encourage such movies that are not really in the commercial framework (no songs, no punch dialogues, and lead cast isn’t rated as ‘A’ listers) not and often fail to justify the producer’s investments.
Thrillers have not been the popular genre in recent times and one that doesn’t insult your intelligence and has a narrative that is cohesive enough to make sense is surely a rarity. The premise is quite simple – one needn’t have the original inspiration that was released in 1969 – and the 100 minute narrative does it a fair justice as well. Continue reading “Akshaye Khanna’s thriller, ‘Ittefaq’”
It was the first of the three books written by Anita Desai that were nominated for the Booker Prize. It was her second novel and showcases all that we know about Anita Desai’s signature style – angst of the educated middle classes, feminism, loneliness, stoicism and the defiant human spirit to battle the odds one faces in our lives.
It’s interesting to note that the writer has acknowledged that this novel is the most autobiographical among her works. Obviously it is not a narrative based on her immediate family but the autobiographical elements are about Old Delhi and growing up in the tumultuous period of Partition. It’s easy to spot that the chief narrator and protagonist Bim ( Bimala) is modeled on the writer as she is fiercely individualistic and willing to pay the price of her choices.
The Das family is clearly dysfunctional though they seemed to be comfortably middle class. A set of four children left to fend for themselves while the parents are busy clubbing. And the parents don’t have a happy life either – the mother is chronically ill and passes away. The father is a remote and standoffish personality who too dies in a car accident. The loving but ineffectual Aunt Tara is tasked with the job of raising the children. She contributes her mite by trying to protect their childhood and being around to spend time with the kids. Continue reading “Anita Desai’s ‘Clear Light of Day’”
Exactly what makes John Le Carre tick? How is he able to create a fantastic face off between Smiley and Karla that resulted in a captivating trilogy? How has he been such a prolific narrator of spy tales of varied nature from ‘The Spy Who Came In From The Cold’ to ‘The Russia House’? And a single word of advice – ‘Don’t read this book till you have explored Le Carre’s novels till the early 90s. This book will be really savored by folks who know Smiley, Karla, Jerry Westerby, Bill Haydon, Alec Leamas, Leo Harting, Alan Turner Barley Blair et al’.
A Perfect Spy may hold some clues as it is autobiographical in nature and deals with the core driver element of spying – an acute sense of betrayal and dualism that enables the individual to double-cross his friends and get triple-crossed in return as just desserts for his own perfidy. Paranoia and mental disintegration awaits anyone who doesn’t play it as per the rules of this game. Continue reading “John Le Carre’s ‘A Perfect Spy’”
Its familiar set up but the picture doesn’t quite tell a satisfying tale – Malgudi, the familiar settings, small people with small schemes and the usual bittersweet cocktail of interpersonal relationships doesn’t quite work well. Torn between tradition (his affectionate ageless Grandmother) and modernity (the mystique of Daisy obsessed with her mission to promote Family Planning), Raman misses both the stools and lands up in the ‘no-man’s land’.
The story is a bit of fluff that ebbs and flows in its pace and ends rather abruptly. Narayan’s novel have a trend of coming to a quick snappy end but this one in particular is not at all satisfying and the flippancy of the narrative is starkly seen.
So we are introduced to Raman – one of the small time characters who resides in the magical world of Malgudi and is taken care of by a doting grandmother. The river flows behind his house and Raman’s preoccupations are limited to showcasing his calligraphy skills and getting the better of his rival, Jayaraj. Continue reading “Review of R K Narayan’s ‘Painter of Signs’”
It was one of the early movies that defined Vidya Balan’s box office prowess just before Kahaani and The Dirty Picture catapulted her to commercial fame. The ‘Naseer-Arshad’ duo shared an easy chemistry that reminded us of ‘Sanjay Dutt – Arshad’ act in Munna Bhai. Arshad’s version is a variation of his popular Circuit act but Naseer enjoys playing a shy romantic smitten by Vidya Balan.
It is Abhishek Chaubey’s debut movie as a director but his mentor and co-creator, Vishal Bharadwaj’s touch is seen everywhere – dialogues, witty repartees, songs and the twist n turns in the plot are in the tradition of what we have seen his earlier moves as well. Overall it punches much above its weight and set the stage for a sequel.
The movie is about a two con men trying to escape a mob boss by crossing across to Nepal with the help of an old associate. They land up to meet his widow and get pulled into a bigger mess than they bargained for.
Appeals to the Classes and the Masses – The primary setting is Gorakhpur, Eastern UP and the dialect n tone quickly sets up the scene. Movies like Gangs of Wasseypur and Omkara have educated about the idiom to expect in such rustic settings. However Ishqiya manages to pull off a magical act wherein it is able to connect with the Multiplex audience as well as the interiors. The language is raw and rustic but avoids being typecast as vulgar and crass. Continue reading “Review of Vidya Balan’s ‘Ishqiya’.”
Varied memories are triggered by the assorted bunch of reviews that are covered in this section. Binge watching, college days memories, odds and end movies that I happened to discover, and classic stories with universal appeal. They all fall in one way or the other in this list. And one thing is for sure, all these formats and stories provided me great entertainment. And I never quite mind watching a rerun …
OHMSS could have been a great Bond movie in its classic avatar. But it was the first time Sean Connery was out and the first and last time George Lazenby was in. So despite have a great Bond girl (Tracy), a credible villain (Blofeld again), a great villain lair (Piz Gloria up in the Alps), a formidable buddy (Draco) and an amazing climax the movie failed light up the Box Office vis-a-vis the preceding Bond movie, ‘You Only Live Twice’.
And it rarely leads to animated discussions amidst James Bond fans debating the ‘all-time-favourite’ Bond movie list. Alas! If only Sean Connery had chosen to star in this one instead of ‘Diamonds are Forever’ that followed.
The New James Bond – Well finally Sean Connery moved on and we had the launch of George Lazenby as the new ‘James Bond’. It was his first movie and he didn’t quite have the acting chops yet. Yet he manages the cut when it comes to fight n chases. He is rather wooden when it comes to emoting and the romance scenes with Diana Rigg don’t have the usual savoir faire.
Continue reading “Review of James Bond’s ‘On Her Majesty’s Secret Service’.”
Daniel Craig had a stellar start to his James Bond avatar in ‘Casino Royale’ as he brought back the original gritty and grim Bond seen earlier in roles essayed by Sean Connery and Timothy Dalton. The movie ended on a sad note with Bond silently mourning the loss of Vesper – the Bond girl who had sufficient heft in character to have a meaningful impact on him.
Conceiving ‘Quantum of Solace’ as a revenge saga where Bond goes rogue to avenge Vesper’s death is an appealing premise but ‘Quantum of Solace’ fails to score on many other counts. It is definitely the least popular Craig movie and is often rated off the Top 10 Bond movies in an all-time list. Continue reading “Review of James Bond’s ‘Quantum of Solace’.”
It is the best of the 4 James Bond movies starring Daniel Craig and definitely in the Top 5 on the ‘all time Bond movie list’. It was a hugely successful commercially but more importantly it instantly connected with Bond fans on what is expected of a Bond movie. Daniel Craig may best it yet in an upcoming Bond movie but as things stand this one will be his signature piece as James Bond.
It also marks farewell to Judi Dench as the matriarchal boss, ‘M’. Her stint of 7 movies over 17 years stands testimony to her stellar contribution to the franchise – this movie proves to be her finest hour yet. She is set as the ‘centre-piece’ so we even dispense the conventional ‘Bond girl’ narrative in this adventure.
Gritty Action Sequences
It starts off in Istanbul – a racy bike chase on the rooftops of the Grand Bazaar. Soon action moves onto a movie train. Its up to fisticuffs as the train traverses a beautiful terrain. Bond’s associate, Eve, is forced to take a shot to bring curtains over the scene. She hits Bond instead of the villain and he falls in ‘slo-mo’ into the river. We know what happens next. Bond will survive somehow, somewhere and he will be back. Continue reading “Review of Daniel Craig’s ‘Skyfall’”